2020/03/19 10:46

Texitile Designer: ERi SHIMATSUKA


PROFILE

A textile designer living in Helsinki. Starting Marimekko, active in textile brands both domestically and abroad. She experienced a homestay in Finland during her girlhood and was addicted to a simple life with abundant natural resources. After graduating from university, she worked as an English teacher in northern Okinawa. During that period, she was inspired by Akiko lshigaki, a dyemaker on lriomote Island, who appeared in the documentary film Gaia Symphony, and wanted to design a textile. She calls herself "travel entertainer" and writes and stores inspirations received everywhere on a post-card-sized paper, saying "everything is a source of ideas." The original design drawn on the theme of "Miyakojima folk crafts" for HOTEL LOCUS has been expanded to use in Miyako Shimojishima Airport shop and cafe uniforms. 


▲HOTEL LOCUS Room



Back Story

Texitile Designer ERI SHIMATSUKA × su+ CHIHARU TANIGUCHI ~


- The design drawings used in tribute distribution from each region during the Ryukyu dynasty era will be beyond the mere textile design frame, and will be a hint to create a new style beauty that is world-class. - (Excerpt from "Oki no Kaido vol. 04 Kasuri separate volume") 

 

Taniguchi I When considering the interior of HOTEL LOCUS as 'su+', even though it is difficult to convey the "technique" of high-level armor such as Miyako Johfu, I thought that I could convey part of the history and culture of Miyakojima through unique and highly perfection graphic pattern. However, I did not want to print "fake" which I often see. Therefore, I thought Eri Shimatsuka was the partner, who had an understanding of Okinawan textiles and culture, and was active worldwide in the field of textiles. 


Shimatsukal I presented a total of 60 different sketches for the two themes "Miyako's Water" and "Kasuri Pattern", which I was initially considering. Finally, selected two patterns of "KASURI", after I heard Miyako Johfu weaver "we can not stop the hand to weaves if we think of person who wins the thread," I added "UMU" "AMU" later, and these were put together under the theme of "Miyakos folk craft". 



Textile Design

UMU
Making thread from twisting thin and long Choma (Ramie) plants fibers is called as UMU (spinning hemp). It is a pattern that imitates the plant fiber before becoming a cloth. With a touch of crafting the natural material and creating an artwork out of nothing is like a leaving offspring of a human being which they are both precious.

AMU
Miyako Joufu (high-quality linen that offers to Ryukyu Dynasty) has a wickerwork knitting motif called PAZA, which is one of the weavers of Miyako Joufu even said that this pattern was the representation of Miyako. Miyako Island's craft is presumed to have originated from using of plants such as Kuba and Adan from ancient times, knitting daily goods. Therefore, we have arranged these patterns that represent this Island. 



KASURI 

▲KASURI SHIMA


▲KASURI ICHIMATSU


The fabric that has been woven by fibers dyed specifically to create patterns is called Kasuri. The technique was born in India and developed in various areas of Southeast Asia such as Vietnam and Indonesia, and it was crossed over to Ryukyu's from the 14th to 15th century.

▲Kasuri



▲About each pattern of Kasuri


▲About pattern of tatoo
Each one has its own name and meaning that rooted in the history and culture of that religion, for example in common with tatoo culture called as Hajichi. 



▲Nails were important tools for tearing "choma", therefore designed into a pattern. 


 The motifs that appear frequently in Miyako Island's fabrics are designed with a fresh layout to appeal their new charm.

 

Vol.1 Fin.